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SMART IDEA 137: Rockstar lessons What a Billy Joel keyboardist taught me about staffing (and why he never failed an audition)

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ISSUE #137 | June 6, 2026

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SMART IDEAS #137:

Rockstar lessons

David Searns | Co-CEO

Are you ready to rock?

Last week, I was at year three of the Entrepreneurial Masters Program at MIT. It was my final year in the program, and as you might expect, we heard from some amazing speakers.

But one of the people who stood out to me was not a founder, investor, economist, or technology futurist.

It was David Rosenthal. A musician.

But not just any musician. David is the keyboardist and music director for Billy Joel. (Yes, Billy Joel has a keyboardist!) He has also played with legendary artists including Cyndi Lauper, Rainbow, Robert Palmer, Steve Vai, Whitesnake, and many others.

I expected to hear some great rock-and-roll stories. And a song or two on the baby grand piano he brought. I did not expect to walk away thinking about business, marketing, and the staffing industry.

But that is exactly what happened.

The Sick Day

Early in the talk, David told us that when he was nine years old. He heard a piece of music on the piano and became obsessed with learning it. He told us that the next day, he suddenly came “down with the flu” and had to skip school.

Of course, he wasn’t sick, and he spent the entire day trying to figure out that song.

And then he took another day off. And another. (Somehow, he convinced his parents to agree to all of this!)

By day three, he had mastered the tune. He played it for us. I apologize that I don’t recall the name of the song, but it was an incredibly complex piece of piano music.

And I remind you, he was nine!

At an age when most kids are trying to avoid practice, David was choosing it. He knew what he wanted. He had a vision. And even then, he was willing to do the work.

That theme kept showing up in his stories.

Curious what David sounds like? I recorded him playing for us, not the same song from this story but a piece you will likely recognize from your childhood cartoons. Take a listen.

David just wants to have fun

Later in the presentation, David shared the story about auditioning for Cyndi Lauper’s band. David explained that normally, when you audition, you play, someone else plays, and eventually the artist or band leader picks who they want for that instrument.

But Cyndi’s process was different.

She wanted the whole band on stage together…all auditioning at once. Rather than just go with the flow, David grabbed Cyndi’s band director (who was also David’s friend) and asked, “What’s going on?”

His friend explained that Cyndi likes to audition an entire band all together. And when she doesn’t like someone, she replaces the person on that instrument.

So, David asked the band leader, “Can I go first?”

He did. And he got the gig. No other keyboard player even got a shot.

That’s not luck. That is preparation meeting courage.

David was thoroughly prepared for the job. He trusted his craft enough to step onto the stage before anyone else had the opportunity. And he was fearless enough to ask to go first.

Let It Be

And then there was the story he told about playing with Paul McCartney.

At Billy Joel’s final show at Shea Stadium, they wanted Paul McCartney to perform because of the historic connection. The Beatles had played the first rock concert at Shea Stadium. Having Paul there for the final show would be a perfect full-circle moment.

Sadly, Paul said that he was not available. However, on the day of the show, he contacted Billy and said, “Are you still looking for me to perform?”

Billy asked where he was.

Paul said he was in London.

The show was in New York. Paul said he thought he could make it.

So the band waited. But as showtime approached, Paul was not there. They had to make a decision. Rather than opening with him, they started the show as they normally would.

Sometime during the concert, Paul arrived.

The band brought him out. They played “I Saw Her Standing There.” The crowd went crazy. Later, during the encore, Paul was still standing off to the side of the stage. Billy could tell he wanted to come back out. Paul returned, and they closed with “Let It Be.”

Here is the crazy part.

According to David, the band had not prepared everything the way the audience would have assumed. They had actually never rehearsed “Let It Be.”

There was a moment of panic. Here they were with one of the most legendary musicians in history, playing one of the most iconic songs ever written, in one of the most meaningful venues in rock history. And not a single band member had ever played the song.

Yes, somehow, they pulled it off.

One of my classmates happened to be in the audience that night. He said that if he had not heard David tell the story, he never would have known the band had not played it together a thousand times.

That is mastery.

Not perfection. Not predictability. Mastery.

The ability to adapt when the plan changes.
The ability to perform when the opportunity appears.
The ability to play when there is no time left to practice.

So what does this have to do with marketing and staffing?

More than you might think.

We are in a market where the old playbook is not working the way it used to. Buyers are slower to respond. Sales cycles are longer. Clients are more cautious. AI is changing expectations.

Traditional recruiting and sales strategies are producing less predictable results.

For many staffing companies, this has become a waiting game.

Waiting for the market to improve.
Waiting for clients to start hiring again.
Waiting for salespeople to get more meetings.
Waiting for someone else to figure out what comes next.

But waiting is not a strategy.

David’s story offers five important lessons for staffing leaders.

1. Be overprepared before the opportunity appears

David did not become ready when Cyndi Lauper called. He did not become ready when Billy Joel needed a music director. He did not become ready when Paul McCartney walked onto the stage.

He was ready because he had done the work years before the opportunity appeared.

Staffing companies need to do the same.

Now is the time to sharpen your positioning. Improve your sales process. Build better proof. Create stronger content. Upgrade your website. Train your team. Strengthen your follow-up. Build your nurture campaigns. Develop a clearer point of view about the problems your clients are facing.

You never know when your Cyndi Lauper moment will arrive. Will you be as prepared to succeed as David was?

2. Use downtime to add tools to your toolbox

One of David’s comments that really stuck with me was how he used downtime.

When work slowed down, he did not coast. He learned new skills. He studied new technology. He expanded what he could do.

While most of his friends partied and blew their money, David added tools to his toolbox.

Staffing firms should be doing the same thing right now.

That may mean learning how to use AI for sales research. Building better automations. Creating more effective sales enablement campaigns. Developing stronger consultative selling skills. Improving your recruiting technology. Learning how to expand into higher-value services like RPO, managed services, direct sourcing, recruitment marketing, or AI-enabled talent delivery.

A slow market is painful. But it can also be productive.

Downtime is not dead time. It is preparation time.

3. Master your craft so you can adapt when the script changes

The Paul McCartney story is the perfect example. The band could not control whether Paul would show up. They could not control when he would arrive. They could not control what he might want to play.

But they could control how prepared they were.

That is the same challenge you face. You cannot control the economy. You cannot control buyer urgency. You cannot control every competitor, every objection, or every hiring freeze.

But you can control how ready your company is.

You can control your message. Your systems. Your sales discipline. Your marketing consistency. Your service quality. Your ability to bring clients better ideas.

When the plan changes, mastery is what keeps you from falling apart.

4. Persistence wins

Life is a series of ups and downs. No one knows this better than someone whose career was in the music industry. Bands come and go. Tastes change. People age. Distractions abound.

All of these things can kill a career. Unless you know what you really want…and you are willing to put in the work to get it.

At nine years old, David was willing to put in the work. Before every audition David was willing to put in the work. During the presentation, one of my classmates asked David to tell us about failure – a time when he didn’t get the part.

David said “I can’t tell you that story…because it has never happened to me.”

That’s preparation. That’s persistence. That’s knowing what you want out of life and doing everything in your power to consistently set yourself up for success.

5. Be fearless

Whether it was asking to stay home from school, to perform first in an audition, or to play an unrehearsed encore, David demonstrated time and time again that he was fearless.

But I don’t think David thought of himself as fearless. Quite the contrary – he told us about his fears and worries.

But David never let those fears hold him back.

He simply did more preparation. Developed more skill. Did the hard work, the thousands of hours of practice, that builds self-confidence.

When you truly believe in yourself, those bold actions don’t feel bold. They just feel normal. Putting yourself into the situations where you will succeed becomes a habit. And while others may look at you and think you were lucky or courageous, your real bravery is investing the time and effort to maximize your talents.

A final lesson

Napoleon Hill wrote about the importance of having a definite purpose. David Rosenthal seemed to have that from the time he was nine.

But vision alone is not enough.

You need persistence.
You need preparation.
You need the courage to go first.

And when the moment comes, you need to be ready enough to play.

The next big opportunity for your staffing company may not arrive neatly. It may show up late. It may change the setlist. It may ask more of you than you expected.

The question is simple: Will you be ready to step on stage?

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